For this body of work, Kindness’ attention has centred on Homer’s Odyssey, the adventures and travails of the King of Ithaca. Kindness brings his virtuosity to various mediums and introduces novel strategies to represent the various episodes in the tale.
Inspired by James Joyce’s version of the Odyssey, Ulysses, Kindness drew from the detailed nature of the writing to inform the format of his visual representation. It is no coincidence that this body of work began its making in the years running up to 2022, the centennial of the publishing of James Joyce’s Ulysses.
The fundamental and timeless relevance of Greek mythology underpins Kindness’ endeavour and gives rise to his use of modern forms while staying faithful to Homer’s narrative and the natures of his characters. The hazards of Scylla and Charybdis are engraved onto a toilet seat, Odysseus’s teenage son listens to albums by ‘The Sirens’ and ‘The Gorgons’, and Poseidon makes salted snacks for doomed sailors. William Morris, Iris Robinson and Desperate Dan all make appearances at various points.
